資訊管理學報
蔡靚姚;姜美玲;
頁: 31-65
日期: 2024/01
摘要: 疫情的爆發導致了許多實體展覽轉為線上化，讓一般大眾可以透過線上展覽來觀賞藝術。然而，目前線上展覽仍有很多挑戰需要克服。多數的虛擬展館只提供簡單的展品介紹功能，也缺少人際互動交流，所以無法讓觀賞者有如同參觀實體展覽般的臨場感，也使得觀賞者容易缺乏專注力。此外，新穎的虛擬技術和網頁技術，以及因應不同策展而重複建置的3D展場空間，對策展機構來說均是不小的花費。 為克服這些挑戰與困難，本研究嘗試將科技與藝術結合，設計與實作了一個線上藝廊平台，分別從「觀賞者介面」與「管理者介面」來提供觀賞者多元豐富的體驗與管理者彈性化管理的功能。管理者透過「管理者介面」可以記錄藝術家、藝術品與展期資訊，並管理各展期所要展示的畫作，還能因應策展主題的不同，快速地更換線上藝廊該展期的畫作內容。而「觀賞者介面」則是提供觀賞者網頁3D和虛擬實境(Virtual Reality)的兩種體驗模式。本研究並且以「暨大印象」為此次的策展主題，與盧安藝術合作，在線上藝廊平台中展出藝術家們如孫少英老師等所繪與暨大風景相關的傳統靜態2D畫作。除此之外，本研究還將科技的元素融入藝術，將這些靜態2D畫作進行二次創作，並結合多媒體技術，以2D與3D動態畫作等多元感官體驗的方式展示於藝廊中，以此添加趣味性來吸引觀眾，並增加觀眾的沉浸感、臨場感與專注度。 本研究的成果除了受邀在暨大藝廊展出外，並以問卷調查的方式來進行系統評估，實驗結果顯示以虛擬實境搭配網頁3D的體驗模式，以及動態畫作的展示等均能讓觀賞者對展覽的內容更加印象深刻，願意花更多時間來欣賞畫作，並且當此線上藝廊平台推出不同策展主題時會想再次體驗。而管理者則認為展期管理功能的設計能讓他們更彈性化的管理當前與歷次展期，以及規劃未來展期資訊。
關鍵字: 虛擬實境;線上展覽;虛擬展館;WebXR;3D建模;
Abstract: The epidemic outbreak has caused many physical exhibitions to turn online, and the populace can visit the exhibition online to appreciate the art. However, there are still many challenges to overcome for online exhibitions. For example, most virtual exhibitions only provide simple introductions for exhibits and lack human interaction. So virtual exhibitions cannot give the audience a sense of presence like visiting a physical exhibition, making them lack focus easily. In addition, novel virtual technologies, Web technologies, and 3D exhibition spaces for different curatorial themes are additional costs for curatorial organizations. In order to overcome these challenges and difficulties, this study attempts to combine technology and art, and designs and implements an online art gallery platform, which provides diverse and rich experiences for audiences and flexible management functions for gallery administrators. This platform consists of Front-End and Back-End. Through the Back-End interface, gallery administrators can manage and record information about artists, artworks, and exhibitions. They also can quickly change the paintings displayed in the exhibition according to different curatorial themes. Through the Front-End interface, viewers can choose 3D Websites or virtual reality to experience the gallery. In the online gallery, we use “The Impression of NCNU” as the curatorial theme and display paintings depicting the landscape of NCNU by artists such as Shao-Ying Sun. In addition, this research integrates the elements of technology into art. The online gallery displays 2D and 3D dynamic paintings, which recreate static 2D paintings and combine multimedia technology to engage the audience and increase the audience’s sense of immersion, presence, and concentration in this study. In addition to being invited to exhibit at the National Chi-Nan University Art Gallery, the research results are systematically evaluated by means of questionnaires after viewers experience the online gallery. The experimental results showed that the experience modes combining virtual reality with 3D Websites and the display of dynamic paintings could make viewers more impressed by the exhibition and make them willing to spend more time appreciating the paintings. Viewers will want to experience them again when this online gallery platform launches different curatorial themes. Gallery managers believe that the design of the exhibition management function allows them to manage the current and past exhibitions more flexibly, as well as plan for future exhibitions.
Keywords: Virtual Reality, Online Exhibition, Virtual Exhibition, WebXR, 3D Modeling;
瀏覽次數: 5747 下載次數: 270
引用 導入Endnote
頁: 31-65
日期: 2024/01
摘要: 疫情的爆發導致了許多實體展覽轉為線上化，讓一般大眾可以透過線上展覽來觀賞藝術。然而，目前線上展覽仍有很多挑戰需要克服。多數的虛擬展館只提供簡單的展品介紹功能，也缺少人際互動交流，所以無法讓觀賞者有如同參觀實體展覽般的臨場感，也使得觀賞者容易缺乏專注力。此外，新穎的虛擬技術和網頁技術，以及因應不同策展而重複建置的3D展場空間，對策展機構來說均是不小的花費。 為克服這些挑戰與困難，本研究嘗試將科技與藝術結合，設計與實作了一個線上藝廊平台，分別從「觀賞者介面」與「管理者介面」來提供觀賞者多元豐富的體驗與管理者彈性化管理的功能。管理者透過「管理者介面」可以記錄藝術家、藝術品與展期資訊，並管理各展期所要展示的畫作，還能因應策展主題的不同，快速地更換線上藝廊該展期的畫作內容。而「觀賞者介面」則是提供觀賞者網頁3D和虛擬實境(Virtual Reality)的兩種體驗模式。本研究並且以「暨大印象」為此次的策展主題，與盧安藝術合作，在線上藝廊平台中展出藝術家們如孫少英老師等所繪與暨大風景相關的傳統靜態2D畫作。除此之外，本研究還將科技的元素融入藝術，將這些靜態2D畫作進行二次創作，並結合多媒體技術，以2D與3D動態畫作等多元感官體驗的方式展示於藝廊中，以此添加趣味性來吸引觀眾，並增加觀眾的沉浸感、臨場感與專注度。 本研究的成果除了受邀在暨大藝廊展出外，並以問卷調查的方式來進行系統評估，實驗結果顯示以虛擬實境搭配網頁3D的體驗模式，以及動態畫作的展示等均能讓觀賞者對展覽的內容更加印象深刻，願意花更多時間來欣賞畫作，並且當此線上藝廊平台推出不同策展主題時會想再次體驗。而管理者則認為展期管理功能的設計能讓他們更彈性化的管理當前與歷次展期，以及規劃未來展期資訊。
關鍵字: 虛擬實境;線上展覽;虛擬展館;WebXR;3D建模;
Design and Implementation of a WebXR-based Online Gallery with Immersive Virtual Reality
Abstract: The epidemic outbreak has caused many physical exhibitions to turn online, and the populace can visit the exhibition online to appreciate the art. However, there are still many challenges to overcome for online exhibitions. For example, most virtual exhibitions only provide simple introductions for exhibits and lack human interaction. So virtual exhibitions cannot give the audience a sense of presence like visiting a physical exhibition, making them lack focus easily. In addition, novel virtual technologies, Web technologies, and 3D exhibition spaces for different curatorial themes are additional costs for curatorial organizations. In order to overcome these challenges and difficulties, this study attempts to combine technology and art, and designs and implements an online art gallery platform, which provides diverse and rich experiences for audiences and flexible management functions for gallery administrators. This platform consists of Front-End and Back-End. Through the Back-End interface, gallery administrators can manage and record information about artists, artworks, and exhibitions. They also can quickly change the paintings displayed in the exhibition according to different curatorial themes. Through the Front-End interface, viewers can choose 3D Websites or virtual reality to experience the gallery. In the online gallery, we use “The Impression of NCNU” as the curatorial theme and display paintings depicting the landscape of NCNU by artists such as Shao-Ying Sun. In addition, this research integrates the elements of technology into art. The online gallery displays 2D and 3D dynamic paintings, which recreate static 2D paintings and combine multimedia technology to engage the audience and increase the audience’s sense of immersion, presence, and concentration in this study. In addition to being invited to exhibit at the National Chi-Nan University Art Gallery, the research results are systematically evaluated by means of questionnaires after viewers experience the online gallery. The experimental results showed that the experience modes combining virtual reality with 3D Websites and the display of dynamic paintings could make viewers more impressed by the exhibition and make them willing to spend more time appreciating the paintings. Viewers will want to experience them again when this online gallery platform launches different curatorial themes. Gallery managers believe that the design of the exhibition management function allows them to manage the current and past exhibitions more flexibly, as well as plan for future exhibitions.
Keywords: Virtual Reality, Online Exhibition, Virtual Exhibition, WebXR, 3D Modeling;
瀏覽次數: 5747 下載次數: 270
引用 導入Endnote